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Thomas describes his ministry as one of healing. “I don’t do exorcisms on demand,” he said. “It’s dangerous, and it’s not always what people need.
“I have to get to the root cause of what they’re suffering from — it is preternatural or psychological,” he said.
“In every instance I am called into, there is deep suffering,” Thomas said. “In most instances, it is not demonic, it’s a mental health issue. But either way, our church has a responsibility to help these people.”
In the seven years he’s been an exorcist, Thomas has worked with a dozen cases of possession among about 125 inquiries.
He counts three of the individuals as “delivered.” He is still working with another three. The others started the process but did not finish.
“My message to people is that Satan is real, demonic possession is real -- it’s not superstition, not myth, not medieval,” he said. “But the church has remedies.”
Thomas had been a priest for 22 years when his bishop of the Diocese of San Jose, Calif., asked if he would learn about exorcism. Not every diocese is required to have a priest trained in exorcism.
Thomas went to Rome on a sabbatical to study spirituality and took a class on the topic. He went deeper, studying with an Italian exorcist. A classmate from his class asked if he would be willing to share his experiences for a book.
The story of his internship inspired the book “The Rite” (2009), which was made into a movie released in 2011 starring Anthony Hopkins, who played the veteran priest. One marked difference in the film is that Thomas’ character is shown as a seminarian rather than an established priest.
“I couldn’t have told you seven years ago that I was called to do this,” Thomas said. “But I do believe in the personification of evil. I’m not afraid, and I believe that is a grace.
“I don’t find the work appealing, but in the same breath, I find it meaningful.”
Thomas used the $25,000 consulting fee from the film to start a fund to help those he sees when they need a referral for mental health or medical services and don’t have insurance.
Being an Exorcist is
REAL BUSINESS
Exorcism is the stuff of movies, but for the Rev. Gary Thomas, it is a Catholic rite. He is an exorcist, trained in the Vatican and Rome, and his story inspired a book and a 2011 film.
Thomas describes his ministry as one of healing. “I don’t do exorcisms on demand,” he said. “It’s dangerous, and it’s not always what people need.
“I have to get to the root cause of what they’re suffering from — it is preternatural or psychological,” he said.
“In every instance I am called into, there is deep suffering,” Thomas said. “In most instances, it is not demonic, it’s a mental health issue. But either way, our church has a responsibility to help these people.”
In the seven years he’s been an exorcist, Thomas has worked with a dozen cases of possession among about 125 inquiries.
He counts three of the individuals as “delivered.” He is still working with another three. The others started the process but did not finish.
Thomas had been a priest for 22 years when his bishop of the Diocese of San Jose, Calif., asked if he would learn about exorcism. Not every diocese is required to have a priest trained in exorcism.
Thomas went to Rome on a sabbatical to study spirituality and took a class on the topic. He went deeper, studying with an Italian exorcist. A classmate from his class asked if he would be willing to share his experiences for a book.
“My message to people is that Satan is real, demonic possession is real -- it’s not superstition, not myth, not medieval,” he said. “But the church has remedies.”
The story of his internship inspired the book “The Rite” (2009), which was made into a movie released in 2011 starring Anthony Hopkins, who played the veteran priest. One marked difference in the film is that Thomas’ character is shown as a seminarian rather than an established priest.
“I couldn’t have told you seven years ago that I was called to do this,” Thomas said. “But I do believe in the personification of evil. I’m not afraid, and I believe that is a grace. - Keep reading this story
Via: Greenville Online
MESSED UP:
MAXIM MODEL KILLED BY
FEMALE "JAMES BOND"
The 21-year-old was strangled in 2008, but just-released court documents claim the attack was driven by a failed business deal between her father and an ex-boyfriend.
The ex is believed to be Lebanese physician and businessman Munir Uwaydah.
After her father pulled out of a pharmaceutical deal on doubts of Uwaydah’s legitimacy, the latter allegedly "dispatched" Kelly Soo Park to "confront" Julianna Redding.
Prosecutors allege that Park, officially his real estate broker and financial assistant, was nicknamed “James Bond,” and served as Uwaydah’s “debt collector.”
Reading between the lines, she often intimidated business partners of Uwaydah’s in at least two previous incidents involving her then-boyfriend, racecar driver Ronnie Case.
Juliana Redding, an aspiring model and actress who died years ago, may have been killed by a female debt collector nicknamed “James Bond" and hired as “muscle."
One incident involved intimidating a bank manager over an investment scheme, another a horse breeding business and $350,000 collection, CBS News reports.
Uwaydah has since fled the country and is believed to be living in Lebanon.
Another source says he allegedly only hired Park to “intimidate and threaten” Redding, not to murder her, while Park has been tied to the murder scene via “forensic evidence."
By: Fred Britney
Source: Hollywood Gossip
“I want to capture an unspoken language between our generation and the world of art” explains Ruben Ubiera. His language in “Urban Narrative” at 101/Exhibit in Miami consists of abstract, bold, bright, geometric shapes and lines combined with life-like depictions of gorillas.
“I have a clear use of the line and depict ideas in a very figurative and graphic way. It is also very conceptually driven. Each painting is a conversation starter, a catalyst for interactivity,” explains Ubiera and adds “My work is an urban narrative from my search for objects to turn into art, to the ideas and concepts. My observations always tell a story.”
As a South Florida artist Ubiera is inspired by the eclectic cultural mix of Miami. His Dominican heritage shapes his aesthetics and visual vocabulary and his experiences of life in New York and Miami add an urban point of view.
Ubiera’s work has made an impact on the Miami art scene via various exhibitions, murals and public art projects. Signed to the Michael Margulies Artist Agency he has a strong presence in the gallery world, he was voted “Street Artist of the Year” by the Miami New Times, has recently collaborated with the Museum of Contemporary Art and the North Miami Police Department on an installation and has created public art for the city of Pembroke Pines and Hollywood.
The gorilla has become a signature object in Ubiera’s work. It recurs in many different variations and was also the central element of the work in “Urban Narrative.” The artist conceptually developed the gorilla as a metaphor for the street art invasion of the gallery space.
“ It is the art that everyone is seeing on the streets, but no one wants to let it in. It's huge, strong, smart, witty, serious and funny at the same time. You may want to say that it's just brute force and vandalism, but there's more than meets the eye. It represents the art movement that it's currently shaping up in Wynwood at a local level and globally in so many other cities.”
Ubiera’s apes invaded 101/Exhibit for “Urban Narrative” in paintings and mixed media installations using repurposed materials such as spray cans, cardboard, newspaper and skateboards. Each object has a previous story that becomes part of the art work and the dialogue and part of the unspoken language that Ubiera uses in his continuous quest to “find beauty in the balance of form and line.”
Text by Heike Dempster
Photos by Robert Dempster
Julian Navarro proudly presents Power Ties a solo exhibition by Guerra de la Paz.
“POWER TIES is an exploration into the effectiveness of both symbolism and satire as methods of communicating the unmentionable, with the objective to create a visual language that depicts scenes where the ethics and morals of the influential are narrated by irony and righteousness.
Guided by historic relevance and society’s structure of power, the work depicts the height of civilization and the cause of its decline in a dialogue of rudimentary ideals conceptually embellished with a passementerie of controversy.
|
Guerra de la Paz |
Power Ties
Man’s Best Friend, 2011
Mannequin on stand, found garments and shoes, men’s neckties, wire, carpet runner
82 x 82 x 48 in.
Monday through Friday, 2005
Men’s ties wire and aluminum wall brackets
Size variable
Assertive yet gentile in its delivery, POWER TIES provides comedic relief to a subject that delves into the darkest depths of the preeminent topics of the status quo and engages the viewer with humorous portrayals of a treacherous, high stakes game where underhanded deception is splendiferously rewarded.
Personified by empty shells of clothing that appear to be void of human control and stylized to identify with the affluent and authoritative image of success, POWER TIES offers settings that illustrate the physically nonexistent nature of a ubiquitous dominion and its consequential stronghold on society in a story line characterized by neckties that represent unscrupulous misdeeds and the sacrifices one makes for personal gain”… Guerra de la Paz.
Guerra de la Paz is the composite name that represents the creative team efforts of Cuban born artists, Alain Guerra (Born: 1968 Havana, Cuba) and Neraldo de la Paz (Born: 1955 Matanzas, Cuba. Live and work in Miami, Florida) and have been consistently producing collaboratively since 1996.
Sealing the Deal, 2009
Mannequin on stand, found garments and shoes, men’s neckties, wire
82 x 48 x 36 in.
November 3 - December 15, 2012
Opening Reception November 3 | 6-10pm
Julian Navarro Projects
36-01 36th Ave. Long Island City, NY 11106
Their work has been exhibited in museums, galleries and art fairs as well as other unconventional venues internationally, including: The Saatchi Gallery - London, Miami Art Museum, Art Museum of the Americas - Washington DC, Americas Society - NYC, Chicago Cultural Center, 21c Museum, Louisville, KY, Southeast Center for Contemporary Art, Winston-Salem, NC, John Michael Kohler Arts Center, WI, El Museo Universitario de el Chopo - Mexico City, The Prague Quadrennial of Performance, Design and Space - CZ, and most recently, Federation Square - Melbourne AU.
For further information, please contact Julian Navarro at [email protected] or by telephone at 718 532 8767.
FLEXIBILITY
YOUR LIFE IS LIKE A DANCE,
CONSTANTLY IN A NATURAL AND HARMONIOUS FLOW.
YOU ARE OPEN TO LISTEN, OPEN TO LEARN AND OPEN TO ADAPT YOURSELF TO WHATEVER IS NEEDED AT EACH MOMENT.
Yo President Obama, Govenor Romney...I'm really happy for this debate. I'ma let you finish but Jefferson vs Hamilton was the greatest debate of all time!
A FLOWER
IS ALWAY BETTER AS ICE CREAM.
Orlando police said Tom Murphy, the manager at Paddy Murphy's restaurant in Orlando, called police after Jeremie Calo, 32, and his date were seen having sex on their table out on the patio while other patrons, including children, were eating in the same area, WKMG-TV, Orlando, reported Wednesday.
Murphy said the couple stopped when he called police, but officers arrested Calo for fighting with the manager and refusing to pay his $101 bill.
The couple were not charged for the alleged public sex because none of the other restaurant patrons wanted to write statements for police.
Restaurant Sex? Really?
Police in Florida say they arrested a man accused of fighting with a restaurant manager after having sex with his date on a table in front of other patrons.
Via: UPI
Howdy & welcome to PeterSean.video.
howdy@petersean.com
Halloween wraps fear in innocence,
As though it were a slightly sour sweet.
Let terror, then, be turned into a treat...
- Nicholas Gordon
Super Asshole?
"He wouldn't clear the scene, and we had a canine out there and he kept screwing up the scent," State Police Sgt. Jeff Gorno told the Petoskey News-Review (http://bit.ly/QFv0yh ). "He said he wanted to help us look for the driver."
"We didn't want the dog to track Batman instead of the accident scene, and he was getting in the way of officers who had a job to do," the sergeant said.
Williams wasn't carrying any dangerous weapons, but his costume and gear were confiscated, Gorno said. He was charged with resisting and obstructing police in an investigation, and he posted bond and was released from the county jail. He is due back in court Oct. 18.
A call to a number listed as Williams' Petoskey home rang unanswered Wednesday.
It's not Williams' first brush with the law as the caped crusader.
He was arrested last year after police received a report of a man dressed as Batman on the roof of a Petoskey business. When officers arrived, they found Williams, dressed as Batman and carrying a baton-type striking weapon, a can of chemical irritant spray and a pair of sand-filled gloves.
'Batman' charged with obstructing Michigan police
PETOSKEY, Mich. (AP) — The search for a driver who fled an accident scene in northern Michigan over the weekend was apparently a job for a dog, not a bat.
State troopers arrested 33-year-old Mark Wayne Williams because they say he refused to leave them alone after he showed up Saturday night wearing a Batman outfit.
Source: AP
Let's Move
to Japan