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Brooklyn artist Christian Rex van Minnen Interview

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So, you were switching studios yesterday?

Yeah, moved just down the street near the Navy Yards.Very excited.This is my first legit, out-of-home art studio. With a door and bathroom, anyway.

What does a day look like for you at the studio?

Coffee. I put together a media playlist for the day, alternating between podcasts, music, audiobooks. I try to spend a good amount of time thinking about my palette- if i can use up yesterday's palette on something, build a new one, scraping, cleaning, etc. I try to gauge my mood and what process is best suited for that mood: underpainting is good for restlessness, grisaille for anxiety, glazing for more serene moods. Facebook and all that is persistent distraction, of course.

There's a lot of historic references in your work. How has your paintings developed over the years to the point of how we know them today?

Yes, there are. I am interested in the formal aspects of portraiture and still-life; the geometry and system of delivering information in those specific stylistic conventions. I see them as a sort of marketing platform. Before i became engaged, and engorged, in Old Master's painting i was doing basic surrealism, using a lot of automatic drawing but without any compositional constraints. 
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Portraiture and still-life provided me something to bump into. I still use those art historical references as a crutch and I foresee a day when I will need to ween myself from them.

Are you ever surprised with how a piece starts and how it ends?

I try to make a point of it. I try to keep it tastefully awkward.

Tell us a little bit about the Great Western Buffet? Are you into buffets?

No, I think buffets are gross actually. Giant petri dishes. I think
that western culture has a giant shit sandwich to eat and we all gottatake a bite. Spiritual healing through the eating of shit sandwiches.

Congrats on becoming a father. How has it been? Has the transition been real different of how you make work?

Thank you. It has been amazing and intense and a lot of other newemotions that I don't have a name for yet. The 'how' part hasn'tchanged, but the 'when' certainly has, and maybe even the 'why' part alittle bit. In general I have to be a little more efficient andeffective with my time. Less studio catatonia. 

Lowest point of your art career was when?

Anytime there was anything that had something to do with an'art-career' was a high point! I've really had to piece this thing together doing whatever I could- set design, furniture commissions,portraits, teaching- I even did an illustration for Playboy once. I've done some art-career things I would rather have not done but in the end it was always better than digging a ditch or mowing a lawn, or pulling up old floors. Anytime I was lucky enough to do something art related and get paid for it I was pretty happy. There have been days sitting catatonic in the studio surrounded by piss bottles and thinking of suicide. But that's just a low point in life that caused my art to suffer. That was me just being a narcissistic idiot.

Highest point thus far of your art career was when?

Getting to quit my job as a delivery driver a couple years ago and working full-time as a painter. It's really been great. Moving to NewYork has also been incredible. I've been able to meet so many artists and cool people. It's the first time I've really felt a part of a
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To learn more about Christian Rex van Minnen visit his site right here

Venezuelan artist, Mariana Monteagudo

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There is something sinister yet innocent about the doll sculptures you create. What do they mean to you? 

They mean everything to me. I cannot conceive waking up without an idea of how I will improve a piece, or how what I do during the day will contribute to my work.At the beginning the doll was just a pretext, a way of expression; after 15 years I’ve discovered that it's much more than that. For me the image of the classic doll depicts an ideal of beauty and innocence of childhood, but is somehow an over-dimension of tenderness that often touches the monstrous. My characters are inspired in dolls, but at the end they are a reflection of human expressions and emotions. Is a subtle sense of palpitation what I am looking for; is the constant search of that “thing” you cannot quite explain with words.

 MARIANA MONTEAGUDO is a Miami based Venezuelan artist who has been working her series of doll sculptures over the last decade. Her latex, ceramic and mixed-media dolls are intriguing and fascinating. Her artwork shows interest in a wide range of expressions , from the pre-Columbian aesthetics, to fashion , tv pop culture, Japanese manga and mass-market toys. We had a chance to talk to her recently. Enjoy. 

What's the process of making them? How do you come up with the various expressions on the faces? 

It starts with an  inspiration, it can be virtually anything. I usually conceive a group of pieces as if it was a cast from a theater play; every character has a specific role in the story.  For instance, this time I have been obsessed with the classic images of the circus and the 1930’s Tod Browning’s film “Freaks”. A heartbreaking story of the human dramas within a traveling circus. So my new group is taking a lot from this story, and from the circus world. I begin with a theme, a starting point; then it evolves by itself, opening new windows to other reflections and sources of inspirations. 

Are you into toy collecting? 

Oh yes, I love collecting dolls. In fact I could say that when it comes to my work, I have the personality of a collector. That pervasive feeling of nostalgia (and an obsessive sense of accumulation) of collectors permeates into my work. 

What medium is one you would like to explore with your work that has not happened yet? 

Inflatable sculptures, fiberglass, resin, bronze, so many things yet to explore.

Anything coming up?

Yes, a new exciting group of pieces. I am currently producing approximately 20 pieces for my representing gallery in Europe.

Lowest point in your art career was when? 

When I moved to the US and had to figure out a new way to make my sculptures. It was hard to adapt myself to a whole new environment. It is not easy to get out of your comfort zone and start from square one. But ultimately everything is for a good reason, and an opportunity to open your mind to new things.

Highest point in your career so far has been?

It is hard to pinpoint a high point in my career. In some ways, I consider my work to be in constant evolution. So, every new set of pieces is a new highest point. But I guess that my 2 solo shows in Madrid in 2002 and 2004, and my participation in the 2010 Sao Paolo Art fair have a special place in my heart. You don’t get to be alongside with great contemporary masters like Damien Hirst, Vik Muniz or Joana Vasconcelos every day. Also I am very proud of being part of collections such as the MOLAA Museum of Latin American Art in California, the Everson Museum in New York, and The César Gaviria Trujillo collection (former President of Colombia and Secretary General of the Organization of American States).

"It is not easy to get out of your comfort zone and start from square one. But ultimately everything is for a good reason, and an opportunity to open your mind to new things."
- M.M.
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To learn more about Mariana Monteagudo visit her site at: 

Art from Dallas, Ricardo Paniagua Interview

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You just had surgery? Is everything alright? What happened?

Yeah I just had surgery for the second time in my life. The first time they waited until I was awake to remove the catheter so life is improving. I got appendicitis and almost died if it weren’t for Snow White (my girlfriend) telling me to go to the E.R. They rushed me in to surgery and also found a hernia which they fixed at the same time. It went pretty smooth though thankfully.

Do you think this will have any effect on your work?  

Currently I am working on small works due to medical lifting restrictions temporarily on anything over twenty lbs. That is really the only way it is affecting my craft. As it stands I have a solid understanding on the desires of my design capability so I’ll be focusing on reducing my pin stripes to smaller geometric forms.

How is the scene in Dallas?

 The scene in Dallas is actually very healthy at the moment thanks to the Internet. There are some pretty exciting things going on here right now. It seems like a bit of a renaissance of art and culture at the moment. Our down town Dallas arts district now has like more institutional bldgs. Designed by Pritzker accredited people than I think anywhere else or something like that plus we are neighbor cities to Fort Worth which has a world class museum district so in that regard there is never a dull moment. On the grass roots level it’s equally as healthy. There are just enough fresh out of art school art elitist Nazi-like hipsters to keep the critics happy. On the real though, we have Jeremy Strick and Maxwell Anderson really stepping up the programming at The Nasher and The D.M.A. I was blown away to see Katharina Grosse recently for the first time in Dallas. Across the street Mr. Anderson made the Dallas Museum of Art with Free admission. The advent of an annual art fair in recent years here has also spurred added international attention as well as the new programming with Peter Doroshenko at The Dallas Contemporary. So yeah. I’d say it’s been very progressive here.

Is it true you are a high school drop out?

Yes, this is true.  In that regard I am an outsider. Dallas was always very stand-offish towards me for that reason. It’s not a town for outsider artists. My art is not identifiable with that type of jargon, but it’s true. I have a 9th grade high school education and that’s it. The tipping point was when I had to go to alternative school and they wanted to make me pull my pants up, tuck my shirt in and wear a belt. I set my books down and officially dropped out at that point. I believe my conduct with my Algebra teacher led me to alternative school. I figured out a word problem without her formula and got in trouble and then blew up and it all went downhill from there. I used to draw pentagrams on my homework assignments just to mess with her. Such a moron, but a funny moron so time well spent. The only regret about leaving high school was that I couldn’t play my Tenor Saxophone any longer because I could not afford one other than the school provided. I was good at it and loved to play.


must be filtered through in order to become manifest. One of those systems being “math”. But no, Math, to me is not readily identifiable for my work and only pertains to a facet of its overall make-up.

Where are some places you have shown? Any crazy stories?  

In the beginning I used to show my work at bars and sidewalks. I sold some really good pieces for really cheap to drunk people and hope it’s not lost as a result. There was one really rich guy that paid me for a big canvas and he told me that it was going to be a family heirloom. He was pretty cool. I also showed on a side walk across the street from the local contemporary art dealers of dallas 2nd annual art fair back when those people were not my friends. I loaded my truck up, stacked the art in the bed and leaned it on a vacant warehouse wall. The people driving out from the art fair looked and laughed at me. No one stopped. Now, not even ten years later I am starting to show in museums so whateva.

Your work seems pretty mathematical, is it really? 

“Mathematical” is only one form of a lowered manifestation of absolute universal truth. I suppose that there are several veils that the transmission of my work 

"I loaded my truck up, stacked the art in the bed and leaned it on a vacant warehouse wall."
- R.P. 

What has been one of the most valuable things you have learned so far in this life as an artist?

To put art second and life first. I have been working so hard trying to get off the ground with output and innovation in my work for about ten years and have lost personally in different ways. Playing the role of an artist I have also re-affirmed other personal beliefs about life such as endeavoring with an independent outlook. Art has always been about freedom of expression, but once kids starting piddling around with art school and chasing the scene many of them get caught up in trends and the life style (whatever that is) of being an artist which is totally backwards. I have a saying, “life over art” and will always believe in what it can offer.  As far as my craft as an artist is concerned I have benefitted positively with the evolution of my experience in life. 

My art has evolved at some points to very high degrees of tolerance in design and this has cultivated my mental focus in general which has benefitted my life in greater way such as reading the directions on whatever it may be, be it assembling some weird piece of furniture or programming a television without aggravation. Also, I have opened myself up to the complex world of chemicals and how they relate to each other in regards to my various processes which also require greater focus. I don’t really feel I have learned about life as an artist rather my beliefs in and about life have informed my experience positively as an artist for the most part.

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To learn more about Ricardo Paniagua's work check out his Facebook page right here. 

Dallas has a growing art scene and Ricardo Paniagua is a prolific art maker that produces mind blowing works that match his complex personality. 

Talk with Meryl Pataky. San Francisco Neon Artist

Posted by ArtInterviews Views: 4,794


I would describe my work as mixed media sculpture and installation.  I would also describe it as conceptual.  


Where did it come from? Technically speaking,  the glass comes from Italy and the gas comes from outer space.  ;)




 The words come from a lot of places,  either something someone has said that stuck with me, a play on words, or just one word. Most of my work comes from my personal experience.  


Right now I am just making wearable stuff for sale. I sell to individual clients and through RVCA in San Francisco.  I love creating sculptural silver works but it tends to get fairly expensive. Since I am focusing on my neon work and that too is expensive,  it's sort f one or the other at the moment


I have some works in a text related show in September with Glass Door Gallery in North Beach, San Francisco. 

l learned how to weld in art school. It is super fun! 

Conversation with Paul Anthony Smith

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Hey Paul, what are you working on these days? 

At the moment I'm all over the map trying to figure out what I'm doing. Figuring out where I'm moving to next and understanding the work I'm making in my studio as well as the foods I hope to enjoy in the days to come. 

You live and work in Kansas City. You seem very passionate about it. Tell us what it's like being there as an artist?

It's the most supportive community I've ever lived in. The people here are friendly and you just have to get to know them without making preconceived judgements. I moved here back in 2007 and that's over six years and counting. I want to leave but I wont have access to the amazing facilities this city have to offer. Kansas City is a place where an artist such as myself can function and achieve the goals I desire. 

Is there any good Jamaican food in Kansas City? 

There are a few Jamaican restaurants G's Jamaican cuisine and Island Spice,  but they are nothing like what I want. They cook a bit unique. I tend to head back east to New York, 
We catch up with Paul Smith, a young artist from Miami but developed his craft in Kansas City and is now in search of new places to roam. We discuss art, food and other daily rituals. 
where I get some killer food in Mt. Vernon, NY off of White Plains road or in Flatbush or Bushwick, Brooklyn. and also in Miami at Junies, off NW 184 St in Miami Gardens, these places are where I usually go to get a plate of Curry Goat, Oxtail or Brown Stew Fish. What I'm saying is that it taste best on the coast. 

How does your upbringing seep into your practice? 

Food is the most important thing to life. No food, no life. So I'm always trying to find a new place to eat. I use my taste buds to enjoy another culture's feast and travel.  Much of my work revolves around nostalgia and questioning the culture, religions and aesthetic of Jamaica that I never experienced. I find myself at an in-between place at times. it's research that shows up in the work I produce. 

What's the biggest misconception people have about your art? 

For a while I've been working on the picotaged work and many times they are misconstrued to be glitter or sand. a granular product of some sort, but its actually torn paper. regardless, someone who is unfamiliar with my process will think its a product that they may be familiar to them, so its making that relation. its kind of how the general world knows Picasso's and Warhol's

So many of the faces in your work go missing. When did that start happening? 
Is there a definitive reason behind it? 

The faces began missing once I began painting black people who had features that were a bit unrecognizable. It really started back in High School. Many of my friends would take photos of me and many times I was unrecognizable, due to the lack of a flash. a few years later I revisited the idea of how some peoples identity are removed or misidentified. I began working around this idea, looking at masks and how various cultures use masks in ritualistic ceremonies as a coming of age and right of passage. I used masks in my picotaged works which best fit the process and content of masking the people in those works. My painted figures have now become anonymous, which are the tarmac workers who I have no direct relations with. 

Do you have any rituals or activities you do to stay focused?

It's always best to take breaks and time out for myself, these breaks may be considered as short field trip or travel. At times I need to be by the ocean (the SEA), and a change of scene to continue doing the things I do.  It's life and in order to maintain myself and stay focused I have to be selfish and put myself first. More so self respect. I try to do this atleast once a year. 

You are really happy when? 

I'm really happy when I'm around family and friends and sharing meals. The act of eating food is a communal ritual that brings people together. It's a gratifying feeling to know that we can all be together no matter our backgrounds. Being outside in nature is also a plus. The mountains of Colorado and the Ocean. Star gazing. 
"I began working around this idea, looking at masks and how various cultures use masks in ritualistic ceremonies as a coming of age and right of passage."
- P.A.S.
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Learn more about Paul Anthony Smith by clicking here. 

Jonathan Stein, Artist Interview

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Tell us about your practice, how do you work and what do you make?

My work celebrates and calls into question Society's fixation with over consumption. I am obsessed with our pop culture fast food nation, so I take ordinary iconic foods like a Starbucks cup of coffee or a package of Twinkies and Super Size the dimensions of each item so they are larger than life in scale. I sculpt in clay or wax and cast in bronze or resin. Each of my mixed media sculptures are then hand painted in enamels and the logos of such parody works are redesigned and hand stenciled. From there I set to task hand setting (using a toothpick) a veneer of tens of thousands of individual colored Swarovski crystals over the entire sculpture. 

Your sculptures are very glitzy and funny. They seem over the top and ridiculous in a great way of course. 
Do you have a big sense of humor? 

 I love embedding humor in my work. The works are deeply rooted in parody and I embrace kitsch. While behind a shiny veneer, the works address critical issues of over consumption, obesity, malnutrition, the dangers of advertising and so forth; overall, I want my audiences to laugh, smile, or be taken in by the joy inherently placed in these familial consumables. 

Photo Credit: Evan Orensten 

Working with children and the less fortunate is an important thing for you. Tell us how you got involved with the community. 

I have been working with developmentally disabled adults and children since childhood. Charity and Art are at the core of who I am; that gives me purpose not only as an artist but as an individual. I began teaching art to autistic and severely disabled youth while in middle school. I continued working with these at-risk youth throughout high school while also aiding the Deaf Community here in South Florida by interpreting and performing songs in ASL for community based events.  I currently serve as the Creative Director for Drops of Hope, a Pediatric Cancer non-profit that builds fantasy room makeovers for underprivileged children battling cancer or cancer related illnesses. I use my art to raise awareness for marginalized communities and often as a means of raising needed funds for non-profits whom otherwise would fail to aid the populations that critically depend upon them. 

What are you working on now? 

A large hand jewel encrusted box of Matzoh which hopefully will be included in a show at the Miami Jewish Museum this September.

What was your upbringing like...does it reflect on your work at all?

 I had a decent childhood. I sought refuge in art as a child to try to find my voice being that I am middle child. Growing up as a very short in stature child, (I'm only 5'5) Art was a way to express myself and being able to draw I believe helped me combat a lot of the bullying I'm sure I would have endured by bigger kids that wanted me to sketch for them instead pummeling me. Lol

Tell us about your cakes! 

My cakes focus on the issue of over consumption primarily with reference to celebrity fanatacism. A year before Britney Spears came out with the song "You Want a Piece of Me", I created a mixed media cake portrait of her called Everyone Wants A Piece of Britney, inspired by her non-underpants limo ordeal. The world was ravenous and felt entitled to view and consume that image of Britney. My Post Modern Feminist artist response was to sculpt and paint a cake sans her crotch. It's punishment for society's sense of entitlement. From there I painted other celebs everyone wants to devour with slices removed as well. I'm at the point however that now I only do custom portraits of celebs which I get them to sign to raise money for Drops of Hope, my charity and I'll do a second portrait for their charity. If my art can aid those in need; I'm using down to help. 
Lowest point in your art career was when?

 Lowest point is watching pieces I've done years ago that didn't get their rightful place in the sun get remade popularized and capitalized on by other artists who've blossomed instead. Very often I have found, one can be brilliantly talented and filled with tremendous passion but still feel and be considered utterly invisible in the Art World. I feel that way at times myself, it can be rough. 

Hightest point in your art career was when?

I was asked to be in, For Which It Stands, an internationally published book of contemporary artists who celebrate Americana. I was hand selected along side artists like Ai Weiwei, Kevin Berlin, Shepard Fairey, Steve McQueen, Barbara Kruger, and Vik Muniz. 
To learn more about Jonathan Stein click here. 
- August 2013

Talk with Fashion Photographer - Oriana Layendecker

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How did you get into photography? Was it always focused on fashion? 

I got into photography by accident. I started out wanting to be an actress actually. To break into the film business I did makeup on the side. I worked as a freelancer for a local production company out in Washington state. To build up my book I started networking with local photographers. Which then led to me doing some modeling…and then finally, I picked up a camera.  Nobody wanted to try the concepts I wanted to do, so I did them myself.  And yes, I guess fashion was always the goal--although it wasn't necessarily executed too well haha.

You are in Washington right now? What brought you to DC? 

I live near DC yes…I made the "young and in love" move and came out here for the wrong person.  Although, I don't see it as a mistake. I think as an artist I have been making the most out of the resources here. It took me a while to find them, but there are hidden gems in this city; like anywhere else.

          Oriana Layendecker
Fashion photographer Oriana Layendecker takes a few questions on a fine August afternoon. 
Most memorable experience while shooting? 

Ooo…that's a tough one haha. I was on a location shoot during the wintertime. We had been shooting non-stop for hours and one of the models was on her period. We were out in public and she was wearing a very expensive gown. To ensure nothing got on the dress I took her to the most private corner possible and held up her dress for her while she took care of business….that might be a little too graphic for your blog. So that, and having equipment fall and smack me in the face while shooting, leaving me with a black eye.

Your photos seem very atmospheric, is there a lot of prep work while setting up the backdrop for the shoots? 

I definitely tie in location with every shoot. It can make or break it! Some looks just don't work in certain places. Planning out the light, shadows, color, textures etc makes a huge difference.  Although, when it comes to planning, I do leave some open ends, it keeps things fresh.

Do you have a blog? 

I have a tumblr, a twitter, an instagram, but no blog.  I'm not much of a writer and I hate explaining things because half the time I am experimenting.

What other areas would you like to explore? 

Video. I would love to get back into it…it's something I explored very briefly years ago when I went to school for acting.  I love it, but I have to learn all the new editing programs and I just haven't had the time.

What's next?

I have a handful of editorials that I am very patiently waiting to share with the world. Magazines take forever as you know, and some things I shot almost a year ago are still on hold. As for what's in the future, I can't wait to find out.

Interview with Miami artist David 'LEBO' Le Batard

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We catch up with Miami bred artist David Le Batard aka LEBO. Starting out as a muralist to then expanding his hand over to paintings and commerical work. He isn't afraid to try something new and sharing it with all walks of life. 

I first noticed your work in the form of murals around the city of Miami years ago. How do you feel about all the murals in the city? 

I'm definitely proud of the fact that a large part of my career started out doing murals in public spaces. It's a forum as old as civilization itself and a truly democratic way to exhibit art. I'm also glad I get to cross to the other side of the spectrum and sell my work at a fine art level as well as occupy to spaces in between the two. In regards to Miami now and the explosion of murals, I think it's a good thing. Public expression in all it's forms is a mark of free society and we're blessed to live in one. I do think it's interesting how the term used now is "Street artist" and "Street art". To me it's still being a "muralist" and when we do it we create a "mural".  

What are some things you are working on now? 

Right now I'm working on my partnership with Norwegian Cruise lines. i just designed their newest ship, The Getaway, that will be sailing from Miami in early 2014. There's a lot of components to the deal and it's been great partnering up with them. Aside from the other elements with Norwegian, I've signed up with Park West, a very
 established company that does a lot of work on ships around the world. We just signed a deal together a few months ago and they're selling my work as fast as i can produce it and have double the value of my work. I'm currently producing about 100 paintings for our partnership to be auctioned off in the next couple months. Beyond that i'm taking care of my own private commission work as well as an apparel line for Harley Davidson. Mural work for Redbull along with some charity work.

If you could describe your work as a food by its smell, texture and taste...what would that food be? 

Well i've been eating mostly raw fruits and vegetables for a while along with a lot of Indian food so that's where my head is at these days. I guess I'd hope that my work would have all the raw, juicy, natural goodness of raw fruits and vegetables and all the flavor and soulfulness of great Indian vegetarian dishes. I'd also hope that my work was kind to all animals, human and non-human alike. 

Where are your favorite places to go in the world? 

I just came from Amsterdam, Stockholm and Copenhagen. That part of the world is civilized in the best way imaginable. I could definitely live in Amsterdam. Last summer i was in Spain and did El Camino de Santiago and spent some time in Barcelona. Could live there too. British Columbia has really gotten my attention and I'd love to get a second residents there and i love the states. Oregon, New Orleans, New York. Miami are all amazing places.

You work a lot with brands. How did that happen? Was it planned that way? 

It was my goal since i started running my own studio that i would work with brands. Growing up I was influenced by a lot of commercial work as well as branding. It never occurred to me that good commercial art and good fine art were any different. Further more great commercial art inspires me way more than crappy fine art. To me it's all in the approach and how well executed the work is. Working with brands was just a way


"I'm very grateful and plan on applying the same energy and staying very grounded. The opportunities available to me at this point are beyond anything i ever hoped for."

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"Le Batard has been commissioned to paint the signature hull artwork of Norwegian Getaway, coming in January 2014."
                                                               - USA Today 
 to bi-pass galleries. My thought was, why should i have a gallery speak for me when i can speak for myself and why should i sell my work through galleries when I can build my own client list by approaching brands. Thankfully it worked. i gotta say i much prefer sitting down to dinner with the CEO of a big company to going to an art opening. It's funny that this far into my career i'm represented by an art house but that deal worked out the same way. I met with the owner of the company and we worked out a deal. pure and simple. The best way.

Lowest point in your art career was when? 

The first 8-10 years were tough. It was hard to make enough money to support myself and I had to learn how to be a professional artist and run a business at the same time. Thankfully my family supported me in a lot of ways. Without that support I wouldn't have been able to make it. The last 8 years have really paid off and in particular the last 2 years have gone through the roof. I'm very grateful and plan on applying the same energy and staying very grounded. The opportunities available to me at this point are beyond anything i ever hoped for.

Hightest point in your art career was when? 

Designing The Getaway for Norwegian Cruise lines has been the latest career highlight. It's literally a billion dollar ship and my brand is painted right along the Norwegian one on the side of the ship which will have 1000 running feet of art that I designed running along side of it. I feel like I should come out with a hip hop album so I can take my picture with the ship behind me. How much cooler is that than a gold Bentley? Honestly though this chapter, although it's just getting started, has been a huge blessing and I'm looking forward to see what the future brings.

Learn more about LEBO here: 

Help end homelessness

Posted by David MacGregor Views: 3,232
Homeless. Please Help.
It's The Big SleepOut on Thursday - sounds like a jolly-jape, doesn't it?

The truth is I hate doing it. I don't like being cold and I don't like asking for money. Self reliance has always been my 'thing' - not in an ideological way, it's neither 'right' nor 'left' - it's more an Emersonian tenet.

But, as I am oft want to say: "I have principles - but if you don't like those one, I have others.".

On Thursday I will forsake my warm bed and sleep on the hard cobbles of the AUT quad - I know I will be cold. Possibly wet - and that delightful combination - cold and wet. But I am not doing it out of the goodness of my heart. I am doing it plumb the goodness of your heart.

In return for my meagre sacrifice, I'm asking you to donate some money to the LifeWise Trust to help them help people who don't want to be homeless - but are. (Not the lifestylers though, because they're rubbish, right? - glad we got that one out of the way.)

Whatever you can afford will be lovely. You are helping make Auckland a more liveable and loveable city.
Thank you.
@joegreenz on Twitter
Most other places
David MacGregor.


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Mazda MX5 for Sale

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Add some text, Yo! Click this text box to change the text, style, color and fonts.
Mazda MX5.
For Sale
Mazda MX5 For Sale
It's a 1992 Mazda MX5 (Eunos).
British racing green paint.
Tan leather upholstery.

Good all round condition.
A ding in the driver's side (right) rear quarter - it was pinched by some clown - that is all the damage there was when it was returned. I have a quote for $300 to repair.

I am based on Auckland's north shore. The car is surplus at the moment.

Approximate price is $3,750 - factoring in the dent.
It has a current warrant of fitness and registration.

Nice car, great fun, reliable and economical.
Contact info:

David MacGregor
021 164 39 55

or email me:

You've Made Me Smile <3 LOL

Posted by Wildcats Views: 7,233

If I Could Reach Up An Pick One Star For Every Time You've Made Me Smile, The Whole Evening Sky Would Be In The Palm Of My Hand.

Man with Werewolf Gloves gets Caught Stealing

Posted by DarlingPD Views: 4,500

METRO VANCOUVER -- A 25-year-old man is facing charges in Coquitlam after a suspect dressed in a BMX bike helmet, skiing goggles and a furry werewolf costume glove allegedly tried to steal items from a truck.

RCMP said Thursday the Prolific Target Team (PTT) was targeting a prolific offender in the Burquitlam area when an unusually dressed bike rider strolled through the area.

Despite the disguise, investigators said they knew who the rider was.

Police said he got off his bike and started rummaging through a parked truck on the street, allegedly stealing surveying tools worth more than $30,000 and hiding them behind a tree. Then he tried to ride away with the tools.

"If it wasn't for the keen observation skill and the swift action of the PTT investigators, the suspect would have gotten away," said Corp. Jamie Chung in a statement. "Needless to say, the suspect was arrested red handed and we were able to recover all the tools."

Werewolf gloves Bandit 
gets Caught Red Handed...or Furry Handed. 

Shin Haenam X Low Classic X Nazine

Posted by ParisCollective Views: 6,344
Summer 2013 collection by Nazine
Shin Haenam for Low Classic

Jackie Gleason Ripped Off by Flintstones

Posted by DarlingPD Views: 5,064

Jackie Gleason was an American comedian that was extremely famous during the 1950’s and 1960’s. One of Gleason’s most famous projects was the sitcom The Honeymooners, which debuted in 1955. Although it became extremely famous, it suffered initially and was canceled after only 39 episodes. 

What does this have to do with The Flintstones? In 1960, the animated sitcom The Flintstones debuted. While extremely successful, many people recognized that the two shows were extremely similar, with almost identical characters and premise.

There was longstanding controversy over the matter, but an official statement was never given until 1993 when the co-creator of The Flintstones admitted that it was based on The Honeymooners. Before the admission, Jackie Gleason contemplated suing but decided against it saying he didn’t want to be remembered as “the guy who yanked Fred Flintstone off the air.”

Source: OMG Facts 

Spider Man Advice via Street Art

Posted by HorrorBBQ Views: 5,760

MC Hammer Wisdom.

Posted by HorrorBBQ Views: 5,929
"Every kid in the ghetto dream of being rich, and rich kid wants to be gangsta." 
- MC Hammer 

Fashion Fail: MC Hammer Pants Revival

Posted by HorrorBBQ Views: 7,090

I don't give a damn if the younger kids get nostalgia from 90's Vanilla Ice wearing those crazy MC Hammer pants. Fools were in diapers anyway to understand that the style was dumb to begin with. Shit might of been cool for 5 seconds in the late 80's early 90's...but sorry that shit isn't cool now. Don't try to make it look cool. Its not, never will be. 

PS: Justin Bieber looks like a fucking idiot wearing that style as well. I love when styles change but yeah...shit is wack...more wack then chicks still wearing headbands. 
Truth Hurts. 
So Does Fuck You. 

Tomasz Kobialka - No Parking

Posted by ParisCollective Views: 4,884



No Parking, Oil paint, dry pastel and spray on linen, 120 x 70cm - 2011 

Tomasz is a Polish born Australian painter, presently living and working in Berlin. “Freedom is a destructive concept that involves the absolute elimination of all limits.”

Art by Julius Hofmann

Posted by ParisCollective Views: 4,070

Julius Hofmann doesn’t illustrate invented stories. He portrays what is inside him: doubt and fear, possible danger and threats, and he plays with temptations, metamorphoses and masquerades. His stories come into being during painting, and are made with brushes and paint, and also with saws, cutters, cardboard, glue or on the computer. Their meaning changes, is expanded or deleted, often faster than they came into being. Julius Hofmann is a filmmaker. He’s a filmmaker, but above all he’s an actor, a make-up artist, a set designer, a cameraman, a editor, a sound engineer and director, all in one. His films, though few, are nevertheless of high quality, and compact in an oppressive way, just like his paintings, which look like condensed films. It is implied that things have happened and that afterwards anything is possible. A road to a dark forest, water that is devoured by the night, a shadow kingdom behind a wall. The young artist appears to have left behind trails, tempting us to look at something. 

Hofmann feels connected to the romantic artists, who always left something open, something to guess at. Like them, he doesn’t feel comfortable with the classical harmony of ‘noble simplicity and silent greatness’. He’s closer to symbolism, just as Francis Bacon, who suppressed his doubts and loneliness with the images he made. But examples aren’t the starting point of the word of forms and motifs of Julius Hofmann. His starting point is the tension between the flood of media images that surrounds him, which he dissects with his keen glance, and the world of silence that he soaks up for his wealth of images and souls during his long cycle rides. In the beginning there is only chaos. Within that he starts weaving his threads and from that he constructs his paintings. Some have enticing, friendly colours, others are brightly coloured. There aren’t many figures, but they are full of symbolism. The most prominent character in the paintings and films is a man with a dog mask. The mask makes him both invisible and acts as a protective helmet, to combat villains and to suffer together with prisoners. Murderers appear too, but they already show the face of death. Femininity looks like cast porcelain and mobile technology is indispensable for the image world of the painter and sculptor. Here, he is a man of his time. But he is also someone who tests the designer’s harmonies and looks for the boundaries of destruction.

Julius Hofmann makes a breach in the wallpaper of our daily image mania and gives us a view of his world. Better yet: He tempts us to discover a counter-world that looks fierce in order to protect something fragile. (Bernd Sikora)
Scary things happen, like in the stories by the brothers Grimm, Hans Christian Andersen and E.T.A. Hoffmann. But no blood is drawn. No fingers are raised threateningly, no fingers are cut off and nobody is burnt.