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Brazilian-born Miami-based artist Ernesto Kunde has found inspiration in the architecture, lifestyle and art of Miami since he first relocated to the city just over seven years ago. His most recent series of works, large scale mangrove paintings inspired by research trips to the Everglades and the Florida Keys, are now presented in an exhibition at the Swenson Gallery of the Bakehouse Art Complex.
Curated by Ananda DeMello, Kunde's solo exhibiton "Symbiotic Promise," examines South Florida's mangroves, the native flora, and humanity's relationship with nature. DeMello's curatorial approach creates a space designed to heighten awareness about that symbiotic relationship. Surrounded by mangroves viewers are transported into an artistic version of a sensory nature experience.
“Symbiotic Promise” runs until June 8, 2014 at the Swenson Gallery at the Bakehouse Art Complex, 561 NW 32nd Street, Miami 33127
The Rainy Welcome
Drops of blue crystals
Falling from the grey pillows,
kiss my cold, wet cheeks.
-Aime H.
Flowers a
re attractive
They are young, then are old
They are colorful like a rainbow
-Evelyn S.
Best friends are so unique
As if they are ten kinds of people
Then swallowed love
-Aylin D.
The Birds
On smiling spring days
The soft breeze blows as I sing
To the birds chattering
-Zoe G.
Butterflies
Bouquet of flowers
Charming creatures
Flying Diamonds
-Gildard
o G.Little Cub
Cub bear in my hand
Picnic picking pupil boy
Loving wisdom all
-Jennifer G.


Carling:
“Decorators” Ad-
It’s a Boy
Another advert capitalizing on the royal birth was Carling. Even
though this brand is not something that is well-known worldwide, their
advertising tactic to focus on a highly covered news event made the company
seem accessible to the general public on an international scale.
This advert added comedy and pulled off a high quality
online advertisement in a matter of days after the birth of Prince George
Alexander Louis of Cambridge. The Carling advert was creative in its objective
to have a congratulatory message. Its original use of humor helped this online
advert hit almost 5,000 “likes” within the first six hours of its release (Trendolizer.com,
2014).
Created by Creature of London Advertising, is a part of the “not
quite Carling” campaign and is the third digital short for the acting partners “Dylan”
and “John.”
The brand director of Carling, Jeremy Gibson, released a
comment on this advert stating:
“As Britain’s number
one beer what better excuse to raise a glass than the birth of the Royal Baby?
As the big day approached people have spoken of little else, so we thought it
would be great to celebrate the birth with a bit of classic tongue-in-cheek
Carling humor and congratulate the Royal couple on their new arrival. Carling
has a reputation for making adverts that provide an amusing take on current
events. It’s a tradition that we’re keen to continue, so watch this space in
the coming months,” (LBBOnline, 2014).
This advert went viral! Online blogs, Facebook pages,
everyone raved or at least had something to say about this advert. There are
questions from the public if the advertisement was appropriate with humor.
Unlike the Coca-Cola advert, Carling did not take a minimalistic congratulatory
approach. I feel as though that was a highlight of Carlings advertising
direction. Among the many “Celebrate with William and Kate” messages, Carling
was the first to make an advert that set itself apart.

Time for a Royal Celebration:
Share a Coke with Wills and
Kate
When Prince William and Kate Middleton debut their son,
Prince George Alexander Louis of Cambridge, to the world the entire world
entered frenzy. This wasn’t only a widely covered issue for England, but also
from country to country. Even in America the public awaited the arrival of the
new heir, advertisements capitalized on this new addition to the royal family
and released series of adverts on a world scale.
Coca-Cola released a non-descript advert of congratulations
soon before the birth entitled: “Time for a royal celebration… Share a Coke
with Wills and Kate.” The positioning of the Coke bottles was in the form of a
“cheers.” The nod to the royal family that the public was wildly awaiting was
an ingenuous move for the Coca-Cola advertising company. The company’s drive to
become a part of the news-driven cultural movement worked to the advantage of
Coke’s previous hashtag campaign from New Zealand and Australia. It was also
one of the first companies to release a congratulatory message in the public.