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Can you share a bit about yourself
My name is Andrea Peipe, I am 32 years old and I live in Munich, Germany. I am a fine art and portrait photographer, but I don't like to limit myself to that because there are so many fields in photography that I find interesting and fascinating. Other than that, I love writing, traveling, meeting new people and getting to know other cultures. Photography is a huge part of my daily life because I have my own business and enjoy working in that field at lot.
What inspired you to become a photographer?
I had an early start and became interested in photography when I was quite young. It feels like I always had a camera of some sorts although I didn't start shooting with film until I was 12 years old when my parents gave me a camera for my birthday. However, when I started really getting into photography in the beginning of 2010, I knew very little about photography itself and nothing about how to handle a DSLR. Photoshop was something that I had heard about but never tried. It was a hard journey sometimes, learning all there is to learn about photography, editing, and lighting. What really helped me understand photography was doing a 365 project, which I started two days after I bought my first DSLR. I learned so much as a result, mainly because I had to! Every day I would discover something new or see photos of other people that made me wonder how they had been taken. About halfway through my 365 project, I decided to quit my regular job at a law firm because photography was what I had always wanted to do. I never studied to become a photographer or took courses in photography. Instead I read books, magazines and online articles, watched tutorials and went out and discovered photography by experimenting and having fun. For more than three years now, photography has been part of my daily life and I think there have only been a few days when I didn't spend some time of the day taking photos, editing or thinking of ideas and sketching them.
What defines the photography of Andrea Peipe?
I guess, my photography is defined by my passion and drive for perfection. I have to say though that I find it hard to define my photography because I feel that I am too close to the images I create. I just want to create images that evoke emotions in my viewers, move them and make them think.
Many of your images have an ethereal quality. What is your point of departure for images that play with fantasy?
The ideas for my photos are often triggered by dreams or songs, by a conversation or a memory, a scene in a book or a story somebody tells me. Sometimes I wake up in the morning and find myself thinking about a specific idea and I cannot really figure out where it even came from. Sometimes I just start sketching something in my sketch book that wasn't in my head a minute before. I find darker images quite fascinating and I like to provoke people's imagination but I also like to create lighter, somewhat happier images. While I do appreciate well-done portraits, my real passion lies in creating images that are somewhat surreal and show something that often not possible in real life, like levitation for example. At some point I would like to create a whole series of levitation images - women, men, children and/or whole families floating in mid air.
Your photography often connects with the elements. What aspects of nature do you incorporate and why?
I generally prefer working in natural light to working in a studio or using speed lights. I like the way you can incorporate different seasons or moods of the day into photography and by doing that, create a unique image. Unlike studio light, the light outside and the weather changes everyday and you have to be able to work with it. On a darker cloudier autumn day, your images will be darker and moodier while on a sunny and bright summer day, your images will end up lighter and happier. I particularly like to use lakes, rivers or the ocean because I love the motion of water and the different tones of blue and green in it. Over the years, I have taken photos in all kinds of weather and find each season has their advantages. The crisp and clean white snow that has just fallen can be equally beautiful to an early sunrise on a meadow full of dew in summer. I generally find it more interesting to use locations in nature like mountains or the ocean than shooting in a studio with different backgrounds. Of course, that kind of photography has its good sides too but nature just appeals to me more. Most of the ideas I have or the sketches I draw have to do with nature or an element of nature.
What emotions do you want to evoke?
I would say that depends a bit on the photo. If it is one of my brighter, happier photos, I would like the viewer to feel happy or even carefree and it would be great if my photo maybe even made that particular person smile and have a wonderful day. If it is a darker image or one that contains some surreal or mysterious elements, it would be great if it made people think. I would like it if my photo made them wonder how a certain effect was achieved or what the meaning behind the concept was. I have experienced that people view a photo differently and it triggers different emotions in them. It doesn't really matter to me what emotions are evoked in another person, as long as my photos touch them in some sort of way.
Can you share some of your career highlights with us please?
In October 2011 one of my photos was short listed in the category “Professional Photo” for a competition and hung in galleries in Berlin, London and Paris as part of a group exhibition. That was my first exhibition and I was more than thrilled about it although it was also a completely surreal feeling seeing my own photo hanging on the wall of a gallery. Exhibiting three photos at the Urban Art Fair STROKE in Munich last summer was also very exciting because of the huge amount of people looking at my photos and giving me immediate feedback. In May 2012 two of my photos were chosen as book covers. When one was published I bought it and seeing my name on the back of the cover was absolutely surreal as well. And when the Italian Vogue chose my first photos to put on their website last summer, that was completely mind-blowing to me. Even now that I have had more exhibitions, book covers and photos on websites, I still feel very excited and happy when that happens!
What would be your next dream photo shoot?
I would love to do a photo shoot for a well-known magazine! Something that includes a lot of crazy props - maybe even live animals like elephants or large birds - as well as dresses with lots of fabric or other extravagant clothing, jewelry and really great make-up, and which takes place in some exotic location. So far I have always worked with "normal" people like you and me, fellow photographers or amateur models and even though the people are great and I get good results, I am sure it would be such a great experience to work with a team of experienced people.
What are you currently working on?
I am currently working on a book. The working title is "A Journey Through Life" and it is a combination of short stories that I wrote and photos that I took. I really enjoy writing although photography will probably always be my main passion. I will self-publish the book on the website blurb.com and I am hoping for some interest and good feedback. There is still a lot of work to do but I am slowly getting there. If somebody is interested in the book or wants to hear more about it, drop me a line!
Why did you choose painting as your medium?
My mom made paintings with me as a kid and it was something I was always inspired by since then. Then I went to school and started showing at galleries and people kept showing me support, so it showed me I was doing something good.
What are some the topics you explore in your art?
I explore shape, space, art history, color, and context.
How important is the emotional aspect of art today?
My artwork changes everyday because I’m always keeping track of and reproducing processes throughout different bodies of work. Sometimes the actual process of painting can be emotional due to the building and deconstructing of layers in the work. It takes time to produce my work and once I change it, it can affect me because I feel that sometimes those changes are drastic.
What are you currently working on?
A minimal series in which I use just a few colors and shapes throughout the body of work.
Have you been to any exhibit or seen a work of art that transformed your life or change your way of thinking?
Yes, several times I’ve been to great art shows. For example, the Francis Bacon retrospective at Met. The Jules Olitsky retrospective at Goldman Warehouse. I’m influenced by a variety of other shows and artists.
Do you listen to music when you paint? What is your perfect soundtrack?
I love Spotify—it allows me to listen to all kinds of different and related artists. Sometimes, I enjoy listening to the Miami Heat or Miami Hurricanes on the radio.
What else do you have planned for 2013?
Marrying my beautiful lady, Kristen Soller.
Congratulations!
Another great
Women Officer’s Summer School
TUC Education’s 8th Women Officer’s ‘Summer’
school to place in London in mid October with 14 new women officers from a
variety of unions. Usually, the course takes place in the summer but for 2012
only it was held in October, due to the Olympics.
The week long course is designed to develop
the next generation of women trade union leaders and women from Unison, GMB,
Prospect, SCP, MU, CWU, NUT, UCU and the STUC participated.
The TUC Educational Trust was able to offer 8
participants bursaries from the Mary Macarthur Trust, a fund set up in the name
of the early twentieth century trade union leader.
The course has a particular focus on organising and leadership as well as updating women on the latest national policy developments from TUC senior officers. A highlight was a contribution from Mary Boustead, ATL general secretary and chair of the Unionlearn board, sharing her experiences as a senior women trade union leader.
Tea was taken at Westminster as guests of Yvette Cooper, Shadow Home Secretary and Minister for Women and Equalities and 22 women representatives from both Houses of Parliament joined participants for discussions on a range of topics. These included Caroline Flint and Rachael Reeves. There were also very informative sessions on the economy, employment and equality law, organising and pensions.
Feedback from participants included:
'realised I am capable of more than I thought’
'increased my confidence to reach beyond my
current environment’
Baker told HuffPost Weird News that the family has been involved in the poultry show community for a long time (yes, there is such a thing as a poultry show community) but the little cluckers kept messing themselves up. So she made a diaper that fastens over the chicken's tail feathers and, with the help of a paper towel, keeps everything clean. Plus, it's machine washable.
"Everyone wanted to know where we got them -- and the orders started rolling in," Baker said. "I have a lot of customers that keep their chickens in the house full-time, and they love the diapers."
Her business, Pampered Poultry, also helps out humans. She pays employees at a women's sewing cooperative in Munoz, Dominican Republic to create the diapers, then picks the finished product up once every couple of months.
The chicken diaper colors -- including Ocean Blue, Parrot Green and Purple Rust -- are only available while supplies last. You can get one for $12.50 at pamperyourpoultry.com or check out Baker's chicken saddles and other attire.
Are you tired of your delicious meal pooping on your carpet? Do you want your chicken to be the cock of the town? Then get yourself a pair of chicken diapers. Julie Baker, a farmer in Claremont, N.H.,invented the poultry couture to keep the horrific mess of chicken excrement off your floors -- while your chicken stays in high fashion.